Whats the first sequel to ever win an Academy Award for Best Picture?
This article originally appeared on Den of Geek Britain.
In that location's notwithstanding an chemical element of snobbery where sequels to sure films is concerned. Whereas it'southward now nearly compulsory to greenlight a blockbuster with a view of a franchise in listen, it'southward hard to retrieve of most Best Moving picture Oscar winners being fabricated with a follow-upwards in mind. Yet in peradventure a surprising number of cases, a sequel – or in the case of Rocky , lots of sequels – take followed.
These cases, in fact…
All Quiet On The Western Front end (1930)
Followed past: The Road Back
Don't be fooled into thinking sequels for prestigious movies are a relatively new phenomenon. Lewis Milestone's 1930 war epic All Quiet On The Western Front , and its brutal business relationship of World War I, is still regarded as something of a classic. A solid box part success, it took home gongs for All-time Director and Outstanding Production, and 7 years later, a sequel followed.
James Whale directed this time effectually, drawing as the original did on the writing of Erich Maria Remarque. The motion picture in question was The Route Back , and it picked upward the story of Second Company that had been started in the original.
The sequel never earned that much love, just and then it was mired in controversy. The German government of 1937 threatened Universal Pictures with a boycott of all of its movies unless the anti-Nazi messages in The Road Back were removed. Universal's new management at the time caved to the pressure, and the film was dramatically recut. James Whale, for i, hated that Universal had bowed to the demands. The content of the film, as a consequence, tends to have been lost in favor of the furore that surrounded it.
The Godfather (1972)
Followed by: The Godfather Role II
To date, The Godfather boxset is the only one that has 2 Best Movie Oscar winners in information technology. Deserved ones, too. In fact, even The Godfather Function III – the belated and more often than not quite maligned sequel – snagged a Best Pic Oscar nomination as well.
The first The Godfather didn't have the easiest fourth dimension getting to the big screen, but when information technology was unleashed in March 1972, it shortly became a gigantic hit. It smashed box function records, both in the US and overseas, and won iii Oscars.
There was much left of writer Mario Puzo's source material to explore and so The Godfather Part II would act as both a prequel and sequel to the original film. You don't demand us to tell you that information technology's regarded every bit the best moving-picture show sequel of all fourth dimension in many quarters. In truth, the two films feel like one, large, arresting saga.
And y'all know what? It may not have had anywhere near the same impact, and the sheer corporeality of time information technology took Francis Ford Coppola to make didn't aid, simply we accept a soft spot for The Godfather Part III . It'south the weakest film in the boxset, certainly, simply not 1 without claim of its ain…
The Great Ziegfeld (1936)
Followed by: Ziegfeld Girl
Hardly the almost known of Best Picture Oscar winners, William Powell and Myrna Loy headlined The Great Ziegfeld , that triumphed at the Academy Awards in three categories (including All-time Dance Direction, no less). It also ran for near-3 hours, a comfortable favorite on a roadshow release, earning MGM a solid profit as well as some trophies for its prize cabinet.
Ii sequels would follow, the commencement of which – Ziegfeld Daughter , in 1941 – would reuse some footage from the outset moving-picture show. As if information technology was a straight to DVD Darkman sequel. Ahem.
Ziegfeld Girl was notable for its cast, with the movie being headlined by James Stewart and Judy Garland. Director Robert Z. Leonard returned, and again, the picture was a solid success, admitting without Oscar attending second fourth dimension around.
MGM consequently rolled the dice again, and in 1946 Ziegfeld Follies would follow. This time, notwithstanding, the film was a collection of pretty much unrelated sketches, albeit with some superb talent from the MGM stable. Fred Astaire, Lucille Ball, Judy Garland, Gene Kelly and Esther Williams were simply a few of the names in forepart of the camera, and while at that place were no Oscars, Ziegfeld Follies did collect the All-time Musical Comedy prize from the Cannes Film Festival in 1947.
Gone With The Wind (1939)
Followed by: Scarlett
Just the kind of sweeping epic that the Oscars were made for, Gone With The Wind – based on the novel by Margaret Mitchell – remains the near successful picture show of all fourth dimension at the box office, if yous take inflation into account.
Originally released in 1939, the flick'due south unadjusted gross before inflation is edging $400 million, and University Awards were duly thrust in its direction. It won eight out of the 13 prizes it got put forward for, including the coveted Best Moving picture.
Mitchell was asked past MGM to pen a continuation of the story, which she refused to do. She died in 1949, and in 1975, her brother, Stepehens, gave permission for a sequel to be written. MGM wasn't bang-up with the eventual idea, though, and abased plans for a further motion-picture show.
Instead, a sequel made information technology to the screen in 1994, but only the small one.
Entitled Scarlett , this saw Joanne Whalley and Timothy Dalton take on the pb roles (the ones made famous past Vivien Leigh and Clark Gable), in a boob tube miniseries that was most known for what it was a sequel to, rather than the content of the new story. Given that it was a TV production, Scarlett was, of course, ineligible for the Oscars. Non that many felt it would have stood much of a gamble, mind…
The Silence Of The Lambs (1990)
Followed by: Hannibal
The terminal film to sweep the large v awards at the Oscars – Pic, Director, Role player, Extra and Director – The Silence Of The Lambs was the second time that the character of Hannibal Lector had been brought to the screen (his name was spelt differently in Michael Isle of mann's brilliant Manhunter , though). The Silence Of The Lambs was very much its ain entity, though, and such was its commercial equally well as critical success, that it became the kickoff film ever to win Best Movie in spite of being available on video at the time of the awards. The significance of that is that almost big Oscar winners are released in the last third of the year, the awards window. The Silence Of The Lambs debuted in April, earlier it won its gongs in the following March.
It took a while to bring another chapter to the screen, although the merely stumbling block there was author Thomas Harris. A notably deadening author, flick executive people were great to get what would get Hannibal , just at that place was zilch they could do until Harris delivered his manuscript.
When he did, and when the subsequent screenplay was penned, Jodie Foster was one of the first to declare discomfort at the sheer graphic violence. She elected to turn down the risk to reprise the function of Clarice Starling, at starting time blaming a filming clash, simply afterwards conceding she just wasn't happy with the projection. In her place came Julianne Moore.
Director Jonathan Demme passed on it too, with Ridley Scott – hot again off the back of Gladiator 's success – taking the helm. Anthony Hopkins, crucially, signed up to reprise the role of Lecter.
All the same glory didn't follow again. This time, the box role numbers stacked up once again, but the critical acclaim didn't. Foster was right: Hannibal was a very gory picture, and ultimately non a nifty 1. All the style of the first one-half being squandered come the final reel.
No affair, though: Brett Ratner was around the corner to assistance complete the boxset. There was certainly no danger of Oscars when he recruited Ralph Fiennes to star alongside Hopkins for Red Dragon , and once more, while the coin came in, the reviews were barbarous. It didn't help that Red Dragon was the same story that Isle of man had skilfully turned into Manhunter : the new movie was obviously weak.
One more Lecter film followed, merely none of the key creatives were effectually. Hannibal Rising is a project all-time avoided, and it wasn't until the TV serial led by Bryan Fuller – Hannibal – that the character got a further screen outing conforming him.
Rocky (1976)
Followed past: Rocky II
The story of the original Rocky has long since passed into movie legend. Sylvester Stallone had written the script, and turned down a fair whack of cash to ensure he could star in the film himself. Information technology proved a wise move. He snared a All-time Actor Oscar nomination for taking on the role of Rocky Balboa, the picture won Best Moving picture, and Stallone congenital himself a career.
Information technology's a career that he'due south savvily put back together on more than than ane occasion, and the Rocky series – along with contrasted Rambos – has been pivotal to that. More any other Best Picture Oscar win, Rocky has enjoyed sequels. Lots of them.
At that place'due south a lot to enjoy in Rocky 2 and Rocky Three too, which both had fiddling gamble of any kind of awards glory, but served every bit fine, entertaining movies in their ain right. Rocky IV , meanwhile, remains for this writer at least a flat-out '80s classic, 89 minutes of '80s politics, picture palace conventions, and Dolph Lundgren.
1990'south Rocky 5 ? That'south the series' only existent stumble, and over 15 years later, it immune Stallone to reinvent the Rocky films again in a mode that indirectly may lead him dorsum to the Oscar podium. For Rocky Balboa proved a surprise hit, and captured a more than sombre, less bombastic tone. That, in turn, has fuelled 2015's sort-of-spin-off Creed , which has earned Stallone an Oscar nomination for Best Supporting Actor. He'due south the only histrion ever to twice win nominations for playing exactly the same character.
In The Heat Of The Night (1967)
Followed past: They Call Me Mister Tibbs
There'southward a cracking book that charts the race for Best Motion-picture show at the Oscars back in 1968. It's called Pictures At A Revolution , past Marking Harris, and you become a season from that – if you lot needed information technology – as to merely what an important film In The Heat Of The Nighttime was and is. Was information technology the all-time film of 1967? Probably not. Just since when has that been what the Oscars was really virtually?
The film would secure five Academy Awards in all, including the top prize. And it would inspire two sequels in quick succession. 1970 saw They Phone call Me Mister Tibbs , whilst the year afterwards came The Organization . In both, Sidney Poitier reprised his role of Detective Virgil Tibbs. That said, each had different writers and directors, and neither of the made as well much of an impact. While Poitier himself came in for praise for his work, the comparably weak stories to the sequels led to neither doing more than a tenth of the business of the original. Needless to say the Oscars were not troubled.
In that location was notwithstanding a spin-off TV serial that followed every bit well, in 1988. That too was called In The Heat Of The Nighttime , and information technology would run for viii seasons in all, finally drawing to a close later on 142 episodes and a quartet of television movies. Howard Rollins took on the function of Tibbs, but – after health battles that were reported broadly in the tabloids at the time – he was fired after season half dozen of the show. Carl Weathers was brought in for season seven instead, admitting in a different part.
The French Connexion (1971)
Followed by: French Connectedness 2
The classic action thriller The French Connexion picked up enough of gongage at the 1972 Oscars, with prizes for director William Friedkin, star Factor Hackman, screenwriter Ernest Tidyman, and editor Gerald B Greenberg. And then, of grade, it picked upward the Best Picture prize as well, seeing off competition from A Clockwork Orange , Fiddler On The Roof, and The Concluding Moving picture .
The film too proved a box office success, earning $51.7m on its original release, off the back of a $1.8m upkeep. Sequels were nowhere well-nigh equally rife in the early '70s as they are now, but still, the idea of a follow-upwards was before long on the table. That said, while the original was tied in part to a truthful story, the sequel would be a fictional extension of Popeye Doyle's story.
William Friedkin didn't return behind the photographic camera, and instead, John Frankenheimer – who would keep to bring more car chases to the screen in Ronin – took the job on. Even then, he would acknowledge he only did and so after his movie The Impossible Object flopped.
Crucially, Gene Hackman was persuaded to return to the part of Popeye Doyle, although on its 1975 release, French Connectedness II wasn't peculiarly well regarded. Reviews were decent, rather than great, and box role takings were notably down (just $12.4 million this time around, and the film cost more than twice every bit much to make, at $4.3 million). The Oscars were non interested second time around, either.
Even so, in contempo times, French Connection II has earned more admirers, and information technology's mostly a better regarded sequel than information technology was originally given credit for. Fifty-fifty its more passionate fans, though, would rarely even consider ranking it above the original classic.
The Sting (1973)
Followed past: The Sting II
Not i of the better-known sequels nosotros've been chatting well-nigh in this article, but oddly enough, the otherwise-forgettable sequel to The Sting did snag itself an Oscar nomination.
The original, of grade, starred Paul Newman and Robert Redford, in one of cinema's finest caper movies to date. George Roy Colina directed, and the playful, exquisitely enjoyable end event was a major box office success. It earned Universal Pictures $159.6 1000000 in early on '70s money, and would then become on to win seven Oscars, including one for All-time Picture.
The sequel didn't share much in the fashion of personnel with the original, and it'd follow a decade after. One person who did return was screenwriter David S. Ward (who won an Oscar for the first moving-picture show). Jackie Gleason took on the headline office this time, with support coming from Oliver Reed.
Information technology was articulate very early on that The Sting II wasn't a direct follow-up to the original, and indeed, changes were fabricated to adapt the new story. As its director, Jeremy Kagan, would acknowledge, the sequel was "inspired past" and "is an expansion of" the original.
Non according to reviewers, though, who slammed the movie. In fact, Gene Siskel and Roger Ebert fabricated infinite for it in their round-up of the movie stinkers of 1983, and they were amongst the kindest to the film.
Simply where did that Oscar nod come from? Well, that was for Lalo Schifrin's original music to the film. He didn't win, though. Come the terminate of The Sting 2, very few of us had…
Terms Of Endearment (1983)
Followed by: The Evening Star
James 50. Brooks' 1983 comedy drama picked upward five Oscars, subsequently being nominated for 11. Information technology landed Shirley MacLaine a Best Extra prize, Jack Nicholson took habitation All-time Supporting Thespian, and the film itself defeated the likes of The Right Stuff and The Big Arctic to merits its award.
At that place was no rush to get another picture show made, just author Larry McMurtry had penned a follow-up in impress, and eventually, information technology was decided to printing ahead. James L. Brooks, though, was missing for The Evening Star , with the job of helming the sequel going to Robert Harling, best known for writing Steel Magnolias and Soapdish (an underrated comedy).
Shirley Maclaine came back to reprise the part of Aurora in the sequel, and Jack Nicholson played Garrett once more. But any hazard of information technology recapturing what worked about the start was long gone within 10 minutes. The thirteen year gap between films didn't help, just crucially, nor did the fact that critics were quick to slam the flatness of The Evening Star , which ultimately proved to barely annals at the box part.
And then there'south…
Lord Of The Rings: Return Of The Rex (2003)
Followed by: The Hobbit trilogy
Not strictly a sequel, granted, just after the raging success of Peter Jackson's The Lord Of The Rings trilogy, there was a clear appetite for the same team to bring J R R Tolkien's The Hobbit to the big screen.
Not that information technology had an like shooting fish in a barrel journey in that location. MGM, ane of the key partners in the project, had well reported financial problems, that delayed The Hobbit going into product. And so much so that director Guillermo del Toro, who had signed upwards to direct, somewhen quit the film, going off to make Pacific Rim in the end instead.
Peter Jackson would eventually return, and he shaped The Hobbit into 3 films, that captured a expert clamper of the commercial success of the Lord Of The Rings movies, simply barely whatsoever of the critical acclaim. Whereas each of the Lord Of The Rings films snared a Best Picture nod from the Academy, The Hobbit movies didn't get anywhere shut. They make for a very big boxset, though…
And the sequels/prequels that nearly happened…
Just because a follow-up to a Best Film Oscar winner didn't happen, it doesn't always mean that the possibility wasn't discussed. That's what happened in these cases, at least…
Titanic: After Titanic snagged 11 Oscars and over $1bn in box office revenue, there was talk about developing a prequel, set around the characters of Jack and Rose. Writer/manager James Cameron wasn't interested, though, and thus the project never got moving.
The 2010 film Titanic II is unrelated, a cheap knock-off produced by the masters of inexpensive knock-offs, The Aviary.
Gladiator:A follow-up of sorts to Ridley Scott'south Gladiator really got quite far down the proverbial road. Nick Cave actually penned a screenplay for this one – we talked about it here – afterward he was approached by Russell Crowe to exercise so.
The story would take seen Crowe'south Maximus sent to purgatory, before then being transported back to World to defeat a, er, Christ-like character. Cave wanted to telephone call the film Christ Killer .
It was decided not to printing ahead with the movie for some reason.
Casablanca 2:seventy years after the release of Casablanca came the news that a sequel was genuinely beingness considered. There had been talk of one nearly immediately after the original's release, but like many such ideas, it was quietly abased.
All the same, a handling penned a few decades back by Howard Koch was picked upwardly past his son in 2012, and plans for a sequel were formulated. This would take place 20 years later the original picture, and focus on the offspring of Ilsa and Rick.
Warner Bros was involved with this one, but we think – don't hold united states to information technology – that it's quietly died a death.
Forrest Gump:Talk of a sequel to the 1993 megahit Forrest Gump was fuelled by the author of the original book, Winston Groom, penning a sequel. Gump And Co. was published in 1995, and a film of information technology went into evolution. Eric Roth, who penned the starting time pic, wrote a screenplay. The flick was one of many put on ice after the attacks of September 11th 2001. More recently, Forrest Gump 2 reared its head again, when it was reported that Paramount was investigating the idea of the film in 2007. All the same, silence says everything here, and there'southward been no obvious interest from Tom Hanks either.
Shakespeare In Love two: Back in 2013, Bob and Harvey Weinstein secured a share of the rights of many of the projects the pair had shepherded through their Miramax years. Equally such, sequels to a series of earlier films were mooted, including Shakespeare In Love 2 . This was one of those stories that chimera up quickly, and seemed to fizzle out just equally fast. No further progress on a follow-up has come up to calorie-free, most iii years later.
Phew! Curlicue on Argo two later on that…
Source: https://www.denofgeek.com/movies/the-best-picture-oscar-winners-that-had-sequels/
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